Three poems by Teo Soh Lung, written while in solitary confinement in Whitley Center, Singapore.
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Tricia Tan reviews Focal Point by Jenny Qi (USA: Steel Toe Books, 2021).
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In this interview, poet Jennifer Huang speaks about the Taiwanese family and ghost stories.
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Lara Norgaard reviews Rain in Plural by Fiona Sze-Lorrain (USA: Princeton University Press, 2020).
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Lim Xin Hwee examines the ramifying ironies in “Singapore Pastoral” by Daryl Lim Wei Jie.
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Rebekah Lim reviews The Book of Form and Emptiness by Ruth Ozeki (USA: Viking, 2021).
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Aileen Liang reviews Anthony Veasna So’s Afterparties (USA: Ecco, 2021).
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Jennifer Anne Champion reviews Han Vanderhart’s What Pecan Light (USA: Bull City Press, 2021).
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Cheng Him reviews Brandon Courtney’s This, Sisyphus (USA: YesYes Books, 2019).
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Stephanie Chan reviews Ricky Ray’s Quiet, Grit, Glory (Broken Sleep Books, 2020).
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Sharmane Tan looks into Taiwanese American poet K-Ming Chang’s “Closet Space” and discovers the breakages of love.
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Audrey Teong reviews Barrett Swanson’s Lost in Summerland (USA: Counterpoint, 2021).
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“Hazaar Fucked,” an essay by Shahriar Shaams.
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Mandy Chi Man Lo reviews Cold War Reckonings: Authoritarianism and the Genres of Decolonization by Jini Kim Watson (Fordham University Press).
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Brad Crenshaw reviews Trees Grow Lively on Snowy Fields: Poems from Contemporary China, translated by Stephen Haven, Jin Zhong, Li Yongyi, and Wang Shouyi (Twelve Winters Press, 2021).
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In this interview, poet Jenny Qi speaks about the pain of grief and the consolations of writing.
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Lim Xin Hwee on “holding objects while the glue sets” in Cynthia Arrieu-King’s poem “The Idea at Rest.”
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“The Father Gene” and other poems by Jose Luis Pablo.
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Maggie Wang reviews One to the Dark Tower Comes by Yeow Kai Chai (Singapore: firstfruits publications, 2020).
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For SP Blog’s 8th Annual Books Round-up, 23 Singaporean writers, artists, and thinkers, living in Singapore and abroad, give their favorite read of the year.
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