Lim Xin Hwee on the virtual self in Nurul Amillin Hussain’s poem “Re: New Ways to be Lonely.”
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Genevieve Hartman reviews Ng Yi-Sheng’s Black Water, Pink Sands (Singapore: Math Paper Press, 2020).
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LIM Xin Hwee on a memory that cannot be inventoried in Cyril Wong’s poem “Restaurant.”
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Sebastian Taylor reviews Parts 1-3 of Troy Chin’s The Resident Tourist (Singapore: Math Paper Press).
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LIM Xin Hwee on living in two places in Natalie Wang’s poem “Fall(ing).”
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"Pack," a chapter from Tania De Rozario's memoir And The Walls Come Crumbling Down.
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Siham Karami reviews And the Walls Come Crumbling Down by Tania De Rozario (Singapore: Math Paper Press, 2016 and US: Gaudy Boy, 2020).
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Maggie Wang reviews Cyril Wong’s Animal Season (Singapore: Math Paper Press, 2020).
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Maggie Wang reviews Werner Kho’s Afterimage (Singapore: Math Paper Press, 2018).
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Sebastian Taylor reviews Signs of Life by O Thiam Chin (Singapore: Math Paper Press, 2019).
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Samantha Neugebauer reviews Stephanie Chan’s Roadkill for Beginners (Singapore: Math Paper Press, 2019).
R. A. Briggs reviews We Were Always Eating Expired Things by Cheryl Julia Lee (Singapore: Math Paper Press, 2014).
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Mia Ayumi Malhotra reviews Aria and Trumpet Flourish by Rodrigo Dela Peña, Jr. (Singapore: Math Paper Press, 2018).
“Cardiff”
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Richard Angus Whitehead reviews Caterwaul by Jennifer Anne Champion (Singapore: Math Paper Press, 2016).
Deven Philbrick reviews The Infinite Library and Other Stories by Victor Fernando R. Ocampo (Singapore: Math Paper Press, 2017).
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Diane Josefowicz reviews Grace Chia’s Every Moving Thing That Lives Shall Be Food (Singapore: Math Paper Press, 2016).
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Short story by Jon Gresham.
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Andrew Howdle reviews Cyril Wong’s The Lover’s Inventory (Singapore: Math Paper Press, 2015).
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