Latest Posts
Tricia Tan reviews Focal Point by Jenny Qi (USA: Steel Toe Books, 2021).
In this interview, poet Jennifer Huang speaks about the Taiwanese family and ghost stories.
Lara Norgaard reviews Rain in Plural by Fiona Sze-Lorrain (USA: Princeton University Press, 2020).
Lim Xin Hwee examines the ramifying ironies in “Singapore Pastoral” by Daryl Lim Wei Jie.
Rebekah Lim reviews The Book of Form and Emptiness by Ruth Ozeki (USA: Viking, 2021).
Aileen Liang reviews Anthony Veasna So’s Afterparties (USA: Ecco, 2021).
Jennifer Anne Champion reviews Han Vanderhart’s What Pecan Light (USA: Bull City Press, 2021).
Cheng Him reviews Brandon Courtney’s This, Sisyphus (USA: YesYes Books, 2019).
Stephanie Chan reviews Ricky Ray’s Quiet, Grit, Glory (Broken Sleep Books, 2020).
Sharmane Tan looks into Taiwanese American poet K-Ming Chang’s “Closet Space” and discovers the breakages of love.
Audrey Teong reviews Barrett Swanson’s Lost in Summerland (USA: Counterpoint, 2021).
“Hazaar Fucked,” an essay by Shahriar Shaams.
Mandy Chi Man Lo reviews Cold War Reckonings: Authoritarianism and the Genres of Decolonization by Jini Kim Watson (Fordham University Press).
Brad Crenshaw reviews Trees Grow Lively on Snowy Fields: Poems from Contemporary China, translated by Stephen Haven, Jin Zhong, Li Yongyi, and Wang Shouyi (Twelve Winters Press, 2021).
In this interview, poet Jenny Qi speaks about the pain of grief and the consolations of writing.
Lim Xin Hwee on “holding objects while the glue sets” in Cynthia Arrieu-King’s poem “The Idea at Rest.”
“The Father Gene” and other poems by Jose Luis Pablo.
Maggie Wang reviews One to the Dark Tower Comes by Yeow Kai Chai (Singapore: firstfruits publications, 2020).
For SP Blog’s 8th Annual Books Round-up, 23 Singaporean writers, artists, and thinkers, living in Singapore and abroad, give their favorite read of the year.
“The Relationship,” a story by Mozid Mahmud.
Yeow Kai Chai reviews Vijay Seshadri’s That Was Now, This Is Then (USA: Graywolf Press, 2020).
Winner of the 1st Singapore Unbound Awards for the Best Undergraduate Critical Essays on Singapore and Other Literatures: “Feminist Documentaries in Singapore,” by Liow Xin Li.
Winner of the 1st Singapore Unbound Awards for the Best Undergraduate Critical Essays on Singapore and Other Literatures: “Stateless Citizens: Apathy as Defence Mechanism in Amanda Lee Koe’s Ministry of Moral Panic,” by Ho Kin Yunn.
Winner of the 1st Singapore Unbound Awards for the Best Undergraduate Critical Essays on Singapore and Other Literatures: “In Pursuit of Queer Singapore: Tracing Queer Time and Space in Singaporean Speculative Fiction,” by Joan Ang.
Winner of the 1st Singapore Unbound Awards for the Best Undergraduate Critical Essays on Singapore and Other Literatures: “The Modern Malay Woman’s Reclaimed (Home)land: Syncretisation as a Strategy of Resistance in Singapore Theatre,” by Danial Matin Bin Zaini.
Aileen Liang reviews JinJin Xu’s There is Still Singing in the Afterlife (USA: Radix Media, 2020).
In this interview, painter Khairulddin Wahab speaks about his desire to re-enchant the natural world.
Rebecca Kwee reviews How Beautiful We Were by Imbolo Mbue (USA: Penguin Random House, 2021).
Lim Xin Hwee on the fuck-you cockroach in Craig Santos Perez’s poem “Cockroach Ode.”
Submission Guidelines
SP Blog seeks the best poetry, literary fiction, and essays written in English by authors who identify as Asian. We also publish reviews of American books by Singaporeans and vice versa. We pay USD25 for an original poem and USD50 for a story, essay, or book review (1000w). Submit 3-5 poems, 1 story, or 1 essay, with a brief cover letter, in PDF or MSWord format, to Jee at jkoh@singaporeunbound.org.
We ask for exclusive first rights only. After publication, all rights return to the author.
To see what original work we like, read Kaustuv Ghosh’s poems, Sharmini Aphrodite’s story “The Archaelogist’s Lover,” and Jonathan Chan’s essay “Saying Goodbye to America.” For book reviews, read Eric Norris’s review of Wena Poon. It’s opinionated, specific, and pleasurable to read. If you are new to SP Blog, please inquire first with a published sample before sending us a review.
SP Blog, formerly Singapore Poetry, is our arts, culture, and politics blog. It began life on October 15, 2013, as an independent website and rapidly attracted a following. On September 30, 2016, it became the official blog of Singapore Unbound.
Every April, we hold The Singapore Poetry Contest, for which poetry submissions are sought from non-Singaporeans. The only requirement for submissions is that they include the word “Singapore.” They can, otherwise, be on any theme. Our annual round-up “My Book of the Year” seeks the opinions of a wide cross-section of Singapore’s artistic and scholarly community.
We are always looking for excellent arts criticism. Although we are primarily a literary blog, we are also very interested in the visual arts, including film and TV, and in music and theater. For enquiries, write to Jee at jkoh@singaporeunbound.
Three poems by Teo Soh Lung, written while in solitary confinement in Whitley Center, Singapore.