An interview with artist Heman Chong.
Andrea Yew reviews Sequoia Nagamatsu’s Where We Go When All We Were Is Gone (USA: Black Lawrence Press, 2016).
Singapore Poetry interviews Singaporean composer Hoh Chung Shih.
Lily Piao reviews Jinat Rehana Begum’s First Fires (Singapore: Ethos Books, 2015).
Soham Patel reviews Sonia Bahl’s The Spectacular Miss (India: Fingerprint!, 2016).
Ng Yi-Sheng reviews Belmont by Stephen Burt (USA: Graywolf Press, 2013).
SP interviews cultural magazine Mackerel co-founders Marc Nair and Carolyn Oei.
Inez Tan reviews Nuraliah Norasid’s The Gatekeeper (Singapore and London: Epigram Books, 2017).
Angus Whitehead reviews Paul Beatty's The Sellout (USA: Picador, 2016)
Andrew Howdle reviews Cyril Wong’s The Lover’s Inventory (Singapore: Math Paper Press, 2015)
P. J. Thum reviews Written Country, edited by Gwee Li Sui (Singapore: Landmark Books, 2016).
Philip Holden (National University of Singapore) interviews Brian Bernards on the publication of a Southeast Asian edition of his book Writing the South Seas: Imagining the Nanyang in Chinese and Southeast Asian Postcolonial Literature by NUS Press.
Tse Hao Guang reviews Jennifer S. Cheng’s House A (USA: Omnidawn, 2016)
Kevin Tan Kwan Wei reviews A Little Life by Hanya Yanagihara (USA: Doubleday, 2015).
Stewart Dorward reviews Meddling and Murder by Ovidia Yu (USA: Killer Reads/Harper Collins, 2017)
Cyril Wong reviews Louise Glück's Faithful and Virtuous Night (New York: Farrar, Straus and Giroux, 2014)
Esteemed independent journalist Kirsten Han on making National Day truly our own.
Y.S. Pek explores the different pathways of reading Sonny Liew's Eisner-winning graphic novel The Art of Charlie Chan Hock Chye.
Review of Balli Kaur Jaswal’s Erotic Stories for Punjabi Widows by Inez Tan
Singapore Poetry, or SP, is our arts and news blog focusing on all things poetic about Singapore and beyond. It began life on October 15, 2013, as an independent website and rapidly attracted a following. On September 30, 2016, it became the official blog of Singapore Unbound.
SP publishes new works of poetry, fiction, non-fiction, and criticism, as well as Editor’s Picks from published works. The “Special Focus” series trains its sights on the work of a major Singaporean writer. In the first series, we looked at the gardening poems of Leong Liew Geok, reprinted with photographs of her private garden provided by the author. The second series focused on the work of the San Francisco writer Justin Chin, born and raised in Malaysia and Singapore.
Every April, we hold The Singapore Poetry Contest, for which poetry submissions are sought from non-Singaporeans. The only requirement for submissions is that they include the word “Singapore.” They can, otherwise, be on any theme.
We are keenly interested in the relationship between literature and the other arts. To explore these connections, SP runs features, interviews, and criticism of Singaporean artists working in theater, performance, dance, design, film, and visual arts. Our annual round-up “My Book of the Year” seeks the opinions of a wide cross-section of the artistic and scholarly community.
It is our hope to cultivate intellectual dialogue not just among Singaporeans, but also between Singaporeans and the wider world. To that end, we publish reviews by Singaporeans of American books and vice versa. Payment is USD50 for a review of 1500 – 2000 words. To get a sense of what we like, read Helaine L. Smith’s review of Shirley Geok-Lin Lim, Eric Norris’s review of Wena Poon, and Cyril Wong’s review of Jennifer Tseng and Timothy Yu. They have different styles, but they are all opinionated, specific, and pleasurable to read. If you are new to SP, please inquire first with a published sample before sending us a review.
We are always looking for excellent creative and critical writing. For enquiries, write to Jee at jkoh@singaporeunbound.