YZ Chin reviews Erotic Stories for Punjabi Widows by Balli Kaur Jaswal (London: Harper Collins, 2017).
Eric Norris reviews Nothing Important Happened Today by Claudia Serea (USA: Broadstone Books, 2016)
Inez Tan reviews Jeremy Tiang’s State of Emergency (Singapore and London: Epigram Books, 2017).
Singapore Unbound's Submission to the Select Committee on Deliberate Online Falsehoods, set up by the Parliament of Singapore.
Ian Tan reviews Though I Get Home by YZ Chin (USA: Feminist Press, 2018).
Priscilla King reviews Regrettable Things That Happened Yesterday by Jennani Durai (Singapore: Epigram Books, 2017)
An essay by Stella Chung on the Crazy Rich Asians phenomenon
Ian Tan on the politics of the outsider in Ken Kwek’s film Unlucky Plaza (2014).
Priscilla King reviews Launch Pad by Shelly Bryant (Singapore: Epigram Books, 2017).
Cyril Wong reviews Guess and Check by Thaddeus Rutkowski (Gival Press, 2017).
"Sleeping with Tomatoes" from Picasso's Tears by Wong May (USA: Octopus Books, 2014).
Deven Philbrick reviews Yeo Wei Wei’s These Foolish Things (Singapore: Ethos Books, 2015)
When a few gym goers complained about another patron's "gay" tank top, they did not know that their complaint would launch a campaign for equality.
30 Singaporean writers, artists, and thinkers, living in Singapore and abroad, give their favorite read of the year.
Eric Norris reviews Death Wish by Gwee Li Sui (Singapore: Landmark Books, 2017).
Andrea Yew reviews National Book Award finalist Pachinko by Min Jin Lee (USA: Grand Central Publishing, 2017).
Jee Leong Koh interviews Canada-based literary scholar Joanne Leow about Singapore’s educational system.
Short story by Jon Gresham.
Our 2017 Fundraising Campaign. Please give generously.
32 Singaporean writers, artists, and thinkers, living in Singapore and abroad, pick their favorite read of the year.
Singapore Poetry, or SP, is our arts and news blog focusing on all things poetic about Singapore and beyond. It began life on October 15, 2013, as an independent website and rapidly attracted a following. On September 30, 2016, it became the official blog of Singapore Unbound.
SP publishes new works of poetry, fiction, non-fiction, and criticism, as well as Editor’s Picks from published works. The “Special Focus” series trains its sights on the work of a major Singaporean writer. In the first series, we looked at the gardening poems of Leong Liew Geok, reprinted with photographs of her private garden provided by the author. The second series focused on the work of the San Francisco writer Justin Chin, born and raised in Malaysia and Singapore.
Every April, we hold The Singapore Poetry Contest, for which poetry submissions are sought from non-Singaporeans. The only requirement for submissions is that they include the word “Singapore.” They can, otherwise, be on any theme.
We are keenly interested in the relationship between literature and the other arts. To explore these connections, SP runs features, interviews, and criticism of Singaporean artists working in theater, performance, dance, design, film, and visual arts. Our annual round-up “My Book of the Year” seeks the opinions of a wide cross-section of the artistic and scholarly community.
It is our hope to cultivate intellectual dialogue not just among Singaporeans, but also between Singaporeans and the wider world. To that end, we publish reviews by Singaporeans of American books and vice versa. Payment is USD50 for a review of 1500 – 2000 words. To get a sense of what we like, read Helaine L. Smith’s review of Shirley Geok-Lin Lim, Eric Norris’s review of Wena Poon, and Cyril Wong’s review of Jennifer Tseng and Timothy Yu. They have different styles, but they are all opinionated, specific, and pleasurable to read. If you are new to SP, please inquire first with a published sample before sending us a review.
We are always looking for excellent creative and critical writing. For enquiries, write to Jee at jkoh@singaporeunbound.