“River Wedding,” “Charlottesville,” and “The Face of Evil”
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Janelle Tan reviews The Collected Schizophrenias: Essays by Esmé Weijun Wang (USA: Graywolf Press, 2019).
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“Borders: A Photo-essay” by Ila
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Kyle Callert reviews The Unlikely Adventures of the Shergill Sisters by Balli Kaur Jaswal (USA: Harper Collins, 2019).
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Boedi Widjaja’s debut New York show tackles contemporary global themes.
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Diane Josefowicz reviews Impractical Uses of Cake by Yeoh Jo-Ann (Singapore: Epigram Books, 2019).
Nidhi Arora reviews Joan Silber’s Improvement (USA: Counterpoint, 2017).
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A talk by Koh Jee Leong given at the “IPS-SAM Spotlight on Cultural Policy Series Eight: Roundtable on Making Friends and Influencing People: The Art of Cultural Diplomacy,” Lee Kuan Yew School of Public Policy, July 5th, 2019.
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Theophilus Quek reviews Jericho Brown’s The Tradition (USA: Copper Canyon Press, 2019).
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Prasanthi Ram reviews Mean by Myriam Gurba (USA: Coffee House Press, 2017).
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We are very excited to announce the results of the 5th Singapore Poetry Contest. Enjoy the winning poems.
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Joanne Leow reviews Las Vegas in Singapore: Violence, Progress and the Crisis of Nationalist Modernity by Lee Kah-Wee (Singapore: NUS Press, 2019).
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Jini Kim Watson interviews Jeremy Tiang, winner of the 2018 Singapore Literature Prize.
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Ng Yi-Sheng reviews The Importance of Being Wilde at Heart by R. Zamora Linmark (USA: Delacorte Press, 2019).
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Samantha Neugebauer reviews Marylyn Tan’s Gaze Back (Singapore: Ethos Books, 2019).
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Essay on abortion from an Indian perspective by Ranjani Rao. Artwork by Jessica Witte.
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Kyle Callert reviews An Ocean of Minutes by Thea Lim (USA: Simon and Schuster, 2018).
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Prasanthi Ram reviews Sharmila Sen’s Not Quite Not White: Losing and Finding Race in America (USA: Penguin, 2018).
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An excerpt from the memoir Kampong Boy by M Ravi.
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Kendrick Loo reviews The Psyche Trials by Stephanie Laterza (USA: Finishing Line Press, 2019).
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