“Out of the Well,” an essay by Jolene Tan.
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Sebastian Taylor reviews Eating Chilli Crab in the Anthropocene, edited by Matthew Schneider-Mayerson (Singapore: Ethos Books, 2020).
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Poet Zining Mok speaks about interrogating colonial archives and narratives in her debut collection The Orchid Folios.
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Michael Chang reviews Right of the Soil by Yong Shu Hoong (Singapore: Ethos Books, 2018).
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Jini Kim Watson reviews Air-Conditioned Nation Revisited: Essays on Singapore Politics by Cherian George (Singapore: Ethos Books, 2020).
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Stewart Dorward reviews This Side of Heaven by Cyril Wong (Singapore: Epigram Books, 2020).
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Priscilla King reviews Daniel Yeo’s The Impermanence of Lilies (Singapore: Ethos Books, 2019).
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Sebastian Taylor reviews parsetreeforestfire by Hamid Roslan (Singapore: Ethos Books, 2019).
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Priscilla King reviews In This Desert, There Were Seeds edited by Jon Gresham and Elizabeth Tan (Singapore: Ethos Books, 2019).
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Pooja Shah reviews Loss Adjustment by Linda Collins (Singapore: Ethos Books, 2019).
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Samantha Neugebauer reviews Marylyn Tan’s Gaze Back (Singapore: Ethos Books, 2019).
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An excerpt from the memoir Kampong Boy by M Ravi.
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“Here Comes the Sun” by Yeo Wei Wei.
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Singaporean poet and photographer Marc Nair on the spomenik, free-standing commemorative structure found across the Balkans.
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Eric Norris reviews Giving Ground by Theophilus Kwek (Singapore: Ethos Books, 2016)
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Deven Philbrick reviews Yeo Wei Wei’s These Foolish Things (Singapore: Ethos Books, 2015).
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Would any of Singapore's writers raise questions at the Singapore Writers Festival, opening in Singapore in two days, about this list of censored academics and artists?
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Stewart Dorward reviews The Adopted: Stories from Angkor by HENG Siok Tian, PHAN Ming Yen, YEOW Kai Chai, and YONG Shu Hoong (Singapore: Ethos Books, 2015).
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Deven Philbrick reviews Leonora Liow’s Moth (Singapore: Ethos Books, 2015).
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Richard Angus Whitehead on "“this migrant soul enriches this earth”: Encounters with Migrant Bengali Poetry in Singapore.”
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