Sharmini Aphrodite reviews Belly Up by Rita Bullwinkel (USA: A Strange Object, 2018).
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Michael Chang reviews Right of the Soil by Yong Shu Hoong (Singapore: Ethos Books, 2018).
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We are very pleased to announce the results of the 6th Singapore Poetry Contest.
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Artist Jessica Witte explains how the daily act of caregiving colors the ever-changing art that she creates.
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Jini Kim Watson reviews Air-Conditioned Nation Revisited: Essays on Singapore Politics by Cherian George (Singapore: Ethos Books, 2020).
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Ally Chua reviews Martin Jude Farawell’s Oddboy (USA: Sibling Rivalry Press, 2019).
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Overseas Singaporeans explain the various challenges to voting in General Elections 2020.
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Poet Paula Mendoza speaks about her entanglements with colonial history, male speech, and the love poem.
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Sebastian Taylor reviews Signs of Life by O Thiam Chin (Singapore: Math Paper Press, 2019).
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Jee Leong Koh reviews What Burns by Dale Peck (USA: Soho Press, 2019).
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Samantha Neugebauer reviews Stephanie Chan’s Roadkill for Beginners (Singapore: Math Paper Press, 2019).
Jack Xi reviews Seán Hewitt’s Lantern (UK: Offord Road Books, 2019) and Aidan Forster’s Exit Pastoral (USA: YesYes Books, 2019).
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Stewart Dorward reviews This Side of Heaven by Cyril Wong (Singapore: Epigram Books, 2020).
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Priscilla King reviews Daniel Yeo’s The Impermanence of Lilies (Singapore: Ethos Books, 2019).
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Jocelyn Suarez reviews America Is Not The Heart by Elaine Castillo (USA: Penguin Books, 2019).
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Prasanthi Ram reviews How to Tell a Story of an Insurgency edited by Aruni Kashyap (India: HarperCollins India, 2020).
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Dhanya Lingesh reviews Song for a Whale by Lynne Kelly (USA: Delacorte Press, 2019).
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Sebastian Taylor reviews parsetreeforestfire by Hamid Roslan (Singapore: Ethos Books, 2019).
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Diane Josefowicz reviews Delayed Rays of a Star by Amanda Lee Koe (USA: Nan A. Talese/Doubleday, 2019).
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Artist Geraldine Kang on the challenges of creating socially-engaged art and the uncomfortable but necessary process of holding oneself accountable to one’s own privilege.
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