“What Matters,” a story by Nadeem Zaman.
Read MoreGenevieve Hartman reviews Ng Yi-Sheng’s Black Water, Pink Sands (Singapore: Math Paper Press, 2020).
Read More“Chinese Dental Care,” a story by Mir Arif.
Stewart Dorward reviews British Colonialism and the Criminalization of Homosexuality: Queens, Crime and Empire by Han and O’Mahoney (Routledge, 2018).
Read More“The Return,” a story by Faraaz Mahomed.
Read MoreHO Kin Yunn reviews Jenny Bhatt’s Each of Us Killers (US: 7.13 Books, 2020).
Read MoreLIM Xin Hwee on a memory that cannot be inventoried in Cyril Wong’s poem “Restaurant.”
Read MoreTarini Tilve reviews Megha Majumdar’s A Burning (USA: Knopf, 2020).
Read More“Sylvia’s Oven,” a story by Rahad Abir.
Read More“Degustation” and “Self Portrait as Lowell and His Dolphin.”
Read MoreTwo stories by Julia Wong Kcomt, translated from Spanish by Jennifer Shyue.
Sarah Jane Lee reviews The Wandering by Intan Paramaditha (USA: Harvill Secker, 2020), translated by Stephen J. Epstein.
Read MoreNiccolo Rocamora Vitug reviews Raffles Renounced: Towards a Merdeka History, edited by Alfian Sa’at, Faris Joraimi, and Sai Siew Min (Singapore: Ethos Books, 2021).
Read MoreLance Wu reviews Syed Hussein Alatas’s Thomas Stamford Raffles: Schemer or Reformer? (Singapore: NUS Press, 2020).
Read MoreSebastian Taylor reviews Parts 1-3 of Troy Chin’s The Resident Tourist (Singapore: Math Paper Press).
Read MoreJack Xi reviews Aricka Foreman’s Salt Body Shimmer (USA: YesYes Books, 2020).
Read MoreLIM Xin Hwee on living in two places in Natalie Wang’s poem “Fall(ing).”
Read MoreIn this interview, artist Vithya Subramaniam speaks about, among other matters, the personal meanings attached to the objects most stereotypical of one’s culture.
Read More“Elephants,” a story by YAP Shi Quan.
Read MoreArtistic Director of the N.O.W. Festival Noorlinah Mohamed reflects on what it means to engage deeply with one’s collaborators and audience in a wholly online women’s festival.
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