“Caregiver burnout” and Other Poems

By Valerie Eng

Chok Si Xuan - latent (2022), Installation-based work with steel cable structures, tubes, pneumatic systems, and silicone. Image courtesy of the artist.
Image description:
An installation featuring synthetic elements resembling parts of a machine—including cables, air compressors, and silver metallic structures—hangs down from two intertwined strands of transparent tubes. The installation is displayed against a white wall, on which gridded shadows are cast.

Tasting note for grief

 

a surge of bitter and a hint of lime

surf up the anchorage of a bland nasal

tube. I am salt that I never taste only

 

do you remember

me?

 

dream of like cherry ganache on a too big plate

eating up space so there is none left my palate is

 

do you remember

what happened?

 

 

north east south west is

sweet sour bitter salty spicy

 

can you feel your legs?

can you move your toes?

 

kong kong’s canned peaches

syrup sweet glucose soft tongue smashing the fruit on gum

 

fuzzy auras

 around my new name

 

I have lost count of the days that drag on

nausea’s sweet stench i taste through

 

spinal cord injury

between my two lips

stuffed inside a nose

 

one half-blocked by a tube that helps me eat

survival has been everything

 

I did not ask for this.


Chok Si Xuan - latent (2022), Installation-based work with steel cable structures, tubes, pneumatic systems, and silicone. Image courtesy of the artist.
Image description:
A pile of black-colored cables and electrical connectors are placed on the floor, forming electrical circuits. They are connected to a hanging installation, which features synthetic elements such as tubes and air compressors.

Caregiver burnout

 

i have no flowers with me you hang from the ceiling



i have no soil  with me your four limbs are enmeshed in rods



i have no water with me you drank and drained it all through a plastic tube



i have no sugar with me your salt sweat you yourself drank



i have been hurting for some time you have been hurting for a longer time

 

we have been hurting for some time

 

your legs are supported with foam and pillow i ask if your spine is now fully metal



you have no control left in yourself i have no fear left in me



you have been hurting for some time i have been hurting for a longer time

 

we have been hurting for some time

 


Chok Si Xuan - latent (2022), Installation-based work with steel-cable structures, tubes, pneumatic systems, and silicone. Image courtesy of the artist.
Image description:
The image depicts a close-up shot of an installation featuring various synthetic materials that resemble elements of a machine, including tubes, white air compressors, silver metallic structures, and electrical connectors. Entangled together in two bunches, the materials hang in mid-air, against a white wall. 

Timeline in the form of my childhood best friend

 

2010

split our allowance for four packs of Daiso eraser animals

and got lost in Daiso while playing hide-and-seek

and then got confused at the mall  playground’s layout

 

2012

matching sun tans!

her PSLE – she didn’t cry

One Direction karaoke all day every day!

 

2013

my PSLE which I didn’t study for

she cried when I went to a different school

 

2017

we met in the hospital

built wooden dinosaurs and painted them

mine was a nice shade of vomit

hers was a perfect rainbow

we ate Llao Llao downstairs

hugged after 5 years

 

2018

I  spent a month in the ICU

she cried when she saw my plastered legs 

and then hugged me

like she never wanted to lose me

 

2019

her funeral

 

2023

i turned 22

without her.


Valerie Eng is a mentally ill and disabled poet from Singapore. She is a survivor of a suicide attempt that left her paraplegic. Valerie is currently documenting the reclamation of her life beyond illness.

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Chok Si Xuan is an installation-based artist. Within her practice, she is primarily concerned with the investigation of material systems as embodiments of connections or relationships, often disrupting these inimical technologies with bodily acts that signify women’s work and the human hand. She currently resides and practices in Singapore, working on exhibitions, commissions and creative projects.



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