“Lent Birds” and Other Poems

by Feby Joseph


Lent Birds



and at dawn they wait by the waters… Sea-birds – 

Snowy pier ornaments walking on stilts; masters of fishing

moving their oblong bodies in awkward grace as an ocean ballet

enters act 2 – we leave a cold church on a cold Lent.

 

In a sleepy winter-chained sea town woken by the cries

of salt-encrusted Sea-Giselles, Matthew and his fishing words

ring like fading bells as my son longs for chocolate and peers into

the display window of deserted sweet shops.

 

I mentally covet a chicken sandwich, quietly – but, not

quick enough, as my dead father comes by to pinch my ear;

I dream of his spicy roasted duck that flavored our Easter table

and from my curried memory, I succumb…

 

At a sea-staring table in a silent café, we devour pies.

As another sea-bird leaves a sleeping boat to walk on water

and snack on silvery fish; my son giggles through chocolate lips

and says, “Jesus must have been a crane!”

 


Why It’s Difficult to Write a Poem about My Hometown in English


I could write about trees – Rubber, Teak, Cashew,

Coffee, Coconut and a million other nameless giants

 

or about the different shades of damp untarred roads –

not terracotta, yet oozing fresh orange blood; a study

 

of the Kerala monsoon – cut, cross-section; my pen

copying out flow lines of afternoon winds escaping

 

through the sleeves of tree branches, cascading

over semi-dry leaves and chimney smoke and birds and

 

watercolour flowers traveling in postcards and the taste

of curling scripts, my people savour – curried fish… 

 

I taste the sharp angles of English: crisp, pineapple-sweet

and tart in my mouth, yet it cannot compare…

 

I miss a vowel that has the mobius curls of ∞

but travels a finite lover’s-distance from my epiglottis

 

to the back of a rolled tongue – a sound only

found in Malayalam; soft-edged and dripping with

 

creamy jackfruit sweetness, perfuming paper

and pen and capturing the umami of Pampadi. 

 


About My Father’s Portrait

Because we have such a tremendous capacity for relegating

things to amnesia, my mother would say, lighting a candle

every evening – Even a small ‘Thank you’ is enough,

as she would collect us from various corners of the house

for evening prayers in front of a wall of Gods.

 

She insisted the pale anaemic man high on the wall wasn’t

Jesus – Just a false white-man’s facsimile, lest we forget

the God’s we inherited. Likewise, she was sure, Mary

was a mocha maiden of Indian parentage; a black & white

young Jayalalithaa – Moon-faced, smiling Amma!

 

Her memories were alluvial & directly proportional to time

& inversely to unanswered questions – unrequited, I don’t

remember when the questions about him sedimented

deep enough to become the facsimile of an answer, or when

my father became another portrait on the wall.


Well known in concentric circles, Feby Joseph, a part-time procrastinator, weekend-antiquarian, and a full-time piano teacher from Mumbai, is the proud owner of Florence Nightingale’s false teeth – facing east! In the spare time that he doesn’t have, Feby dabbles in poetry and hopes to do for it what Einstein did for the electric can opener. Some of his works have been published in The Bombay Literary Magazine, Zoetic Press, The Bangalore Review, and Café Dissensus.