YZ Chin reviews Erotic Stories for Punjabi Widows by Balli Kaur Jaswal (London: Harper Collins, 2017).
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Inez Tan reviews Jeremy Tiang’s State of Emergency (Singapore and London: Epigram Books, 2017).
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Ian Tan reviews Though I Get Home by YZ Chin (USA: Feminist Press, 2018).
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Priscilla King reviews Regrettable Things That Happened Yesterday by Jennani Durai (Singapore: Epigram Books, 2017).
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Priscilla King reviews Launch Pad by Shelly Bryant (Singapore: Epigram Books, 2017).
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Cyril Wong reviews Guess and Check by Thaddeus Rutkowski (Gival Press, 2017).
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Deven Philbrick reviews Yeo Wei Wei’s These Foolish Things (Singapore: Ethos Books, 2015).
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Andrea Yew reviews National Book Award finalist Pachinko by Min Jin Lee (USA: Grand Central Publishing, 2017).
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Short story by Jon Gresham.
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Ian Tan reviews Donald Breckenridge’s And Then (USA: David R. Godine, 2017).
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Stewart Dorward reviews Philip Holden’s Heaven Has Eyes (Singapore: Epigram Books, 2016).
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Stewart Dorward reviews The Adopted: Stories from Angkor by HENG Siok Tian, PHAN Ming Yen, YEOW Kai Chai, and YONG Shu Hoong (Singapore: Ethos Books, 2015).
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Andrea Yew reviews Sequoia Nagamatsu’s Where We Go When All We Were Is Gone (USA: Black Lawrence Press, 2016).
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Short story by Tomson Tee.
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Lily Piao reviews Jinat Rehana Begum’s First Fires (Singapore: Ethos Books, 2015).
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Soham Patel reviews Sonia Bahl’s The Spectacular Miss (India: Fingerprint!, 2016).
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Angus Whitehead reviews Paul Beatty's The Sellout (USA: Picador, 2016).
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P. J. Thum reviews Written Country, edited by Gwee Li Sui (Singapore: Landmark Books, 2016).
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Kevin Tan Kwan Wei reviews A Little Life by Hanya Yanagihara (USA: Doubleday, 2015).
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Stewart Dorward reviews Meddling and Murder by Ovidia Yu (USA: Killer Reads/Harper Collins, 2017).
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