Three Poems by Marylyn Tan.
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“Three Ghosts” by Shou Jie Eng.
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Poet JinJin Xu on writing in a language of betrayal, subversion, and recovery.
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A poem by Niccolo Rocamora Vitug.
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Poet Zining Mok speaks about interrogating colonial archives and narratives in her debut collection The Orchid Folios.
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Jack Xi reviews Craig Santos Perez’s Habitat Threshold (USA: Omnidawn Publishing, 2020).
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Kendrick Loo reviews Tariq Luthun’s How The Water Holds Me (Bull City Press, 2020).
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Michael Chang reviews Right of the Soil by Yong Shu Hoong (Singapore: Ethos Books, 2018).
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We are very pleased to announce the results of the 6th Singapore Poetry Contest.
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Ally Chua reviews Martin Jude Farawell’s Oddboy (USA: Sibling Rivalry Press, 2019).
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Poet Paula Mendoza speaks about her entanglements with colonial history, male speech, and the love poem.
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Samantha Neugebauer reviews Stephanie Chan’s Roadkill for Beginners (Singapore: Math Paper Press, 2019).
Jack Xi reviews Seán Hewitt’s Lantern (UK: Offord Road Books, 2019) and Aidan Forster’s Exit Pastoral (USA: YesYes Books, 2019).
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Sebastian Taylor reviews parsetreeforestfire by Hamid Roslan (Singapore: Ethos Books, 2019).
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Lim Xin Hwee reviews Cynthia Arrieu-King’s Futureless Languages (USA: Radiator Press, 2018).
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R. A. Briggs reviews We Were Always Eating Expired Things by Cheryl Julia Lee (Singapore: Math Paper Press, 2014).
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Andy Winter reviews The Year of Blue Water by Yanyi (USA: Yale University Press, 2019).
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Samantha Neugebauer reviews Topaz Winters’ Portrait of My Body as a Crime I’m Still Committing (2019).
Mia Ayumi Malhotra reviews Aria and Trumpet Flourish by Rodrigo Dela Peña, Jr. (Singapore: Math Paper Press, 2018).
Max Pasakorn reviews bury it by sam sax (USA: Wesleyan University Press, 2018).
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