Eric Norris reviews Lontar: The Journal of Southeast Asia Speculative Fiction, Issue #6, edited by Jason Erik Lundberg, Kristine Ong Muslim, and Adan Jimenez (Singapore: Epigram Books, 2016).
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YZ Chin reviews Crystal Hana Kim’s novel If You Leave Me (USA: Harper Collins, August 7, 2018).
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Diane Josefowicz reviews Grace Chia’s Every Moving Thing That Lives Shall Be Food (Singapore: Math Paper Press, 2016).
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Cyril Wong reviews Sohrab Homi Fracis’ Go Home (L.A., U.S.A.: Knut House Press, 2016).
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Eric Norris reviews Giving Ground by Theophilus Kwek (Singapore: Ethos Books, 2016)
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Ian Tan reviews Greg Hewett’s Blindsight (USA: Coffee House Press, 2016).
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YZ Chin reviews Erotic Stories for Punjabi Widows by Balli Kaur Jaswal (London: Harper Collins, 2017).
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Eric Norris reviews Nothing Important Happened Today by Claudia Serea (USA: Broadstone Books, 2016).
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Inez Tan reviews Jeremy Tiang’s State of Emergency (Singapore and London: Epigram Books, 2017).
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Ian Tan reviews Though I Get Home by YZ Chin (USA: Feminist Press, 2018).
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Priscilla King reviews Regrettable Things That Happened Yesterday by Jennani Durai (Singapore: Epigram Books, 2017).
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Ian Tan on the politics of the outsider in Ken Kwek’s film Unlucky Plaza (2014).
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Priscilla King reviews Launch Pad by Shelly Bryant (Singapore: Epigram Books, 2017).
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Cyril Wong reviews Guess and Check by Thaddeus Rutkowski (Gival Press, 2017).
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Deven Philbrick reviews Yeo Wei Wei’s These Foolish Things (Singapore: Ethos Books, 2015).
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Eric Norris reviews Death Wish by Gwee Li Sui (Singapore: Landmark Books, 2017).
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Andrea Yew reviews National Book Award finalist Pachinko by Min Jin Lee (USA: Grand Central Publishing, 2017).
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Ian Tan reviews Donald Breckenridge’s And Then (USA: David R. Godine, 2017).
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Stewart Dorward reviews Philip Holden’s Heaven Has Eyes (Singapore: Epigram Books, 2016).
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Ian Tan reviews Carl Phillips’ Reconnaissance (USA: Farrar, Straus and Giroux, 2016).
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