Prasanthi Ram reviews Devi S. Laskar's The Atlas of Reds and Blues (USA: Counterpoint, 2019).
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Dhanya Lingesh reviews The Overstory by Richard Powers (USA: W.W. Norton, 2018).
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Samantha Neugebauer reviews Topaz Winters’ Portrait of My Body as a Crime I’m Still Committing (2019).
Mia Ayumi Malhotra reviews Aria and Trumpet Flourish by Rodrigo Dela Peña, Jr. (Singapore: Math Paper Press, 2018).
Ho Zhi Hui reviews Carnegie Hill by Jonathan Vatner (USA: Thomas Dunne Books, 2019).
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Max Pasakorn reviews bury it by sam sax (USA: Wesleyan University Press, 2018).
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Pooja Shah reviews Loss Adjustment by Linda Collins (Singapore: Ethos Books, 2019).
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Theophilus Kwek reviews Stanley Moss's It’s About Time (New York: Hopewell, 2015 and Manchester: Carcanet, 2016)
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Janelle Tan reviews The Collected Schizophrenias: Essays by Esmé Weijun Wang (USA: Graywolf Press, 2019).
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Kyle Callert reviews The Unlikely Adventures of the Shergill Sisters by Balli Kaur Jaswal (USA: Harper Collins, 2019).
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Diane Josefowicz reviews Impractical Uses of Cake by Yeoh Jo-Ann (Singapore: Epigram Books, 2019).
Nidhi Arora reviews Joan Silber’s Improvement (USA: Counterpoint, 2017).
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Theophilus Quek reviews Jericho Brown’s The Tradition (USA: Copper Canyon Press, 2019).
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Prasanthi Ram reviews Mean by Myriam Gurba (USA: Coffee House Press, 2017).
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Joanne Leow reviews Las Vegas in Singapore: Violence, Progress and the Crisis of Nationalist Modernity by Lee Kah-Wee (Singapore: NUS Press, 2019).
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Ng Yi-Sheng reviews The Importance of Being Wilde at Heart by R. Zamora Linmark (USA: Delacorte Press, 2019).
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Samantha Neugebauer reviews Marylyn Tan’s Gaze Back (Singapore: Ethos Books, 2019).
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Kyle Callert reviews An Ocean of Minutes by Thea Lim (USA: Simon and Schuster, 2018).
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Prasanthi Ram reviews Sharmila Sen’s Not Quite Not White: Losing and Finding Race in America (USA: Penguin, 2018).
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Kendrick Loo reviews The Psyche Trials by Stephanie Laterza (USA: Finishing Line Press, 2019).
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