Diana Lu reviews Ling Ma’s Severance (USA: Farrar, Straus & Giroux, 2018).
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Eunice Chin reviews Sarah Rose Etter’s The Book of X (USA: Two Dollar Radio, 2019).
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Diane Josefowicz reviews A Good, True Thai by Sunisa Manning (Singapore: Epigram Books, 2020).
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Samantha Neugebauer reviews Jason Erik Lundberg’s A Fickle and Restless Weapon (Singapore: Epigram Books, 2020).
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Ang Shuang reviews Kathryn Nuernberger’s Rue (BOA Editions, 2020).
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Maggie Wang reviews Werner Kho’s Afterimage (Singapore: Math Paper Press, 2018).
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Niccolo Rocamora Vitug reviews Borderland Apocrypha by Anthony Cody (USA: Omnidawn, 2020).
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Marylyn Tan reviews Joon Oluchi Lee’s Neotenica (USA: Nightboat Books, 2020).
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See Wern Hao reviews Shrapnel Maps by Philip Metres (USA: Copper Canyon Press, 2020).
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Prasanthi Ram reviews This is One Way to Dance by Sejal Shah (USA: The University of Georgia Press, 2020).
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Aimee Liu reviews Anittha Thanabalan’s The Lights That Find Us (Singapore: Epigram Books, 2019).
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Sebastian Taylor reviews Eating Chilli Crab in the Anthropocene, edited by Matthew Schneider-Mayerson (Singapore: Ethos Books, 2020).
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S.R. Graham reviews How the Man in Green Saved Pahang, and Possibly the World by Joshua Kam (Epigram Books, 2020).
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Ilyas Lukman reviews The Need by Helen Phillips (USA: Simon and Schuster, 2019).
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Sharmini Aphrodite reviews The Beadworkers by Beth Piatote (USA: Counterpoint, 2019).
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Jack Xi reviews Craig Santos Perez’s Habitat Threshold (USA: Omnidawn Publishing, 2020).
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Naveen Kaur reviews Trisha Low’s Socialist Realism (USA: Coffee House Press, 2019).
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Stephanie Chan reviews Carmen Maria Machado’s In the Dream House (USA: Graywolf Press, 2019).
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Kendrick Loo reviews Tariq Luthun’s How The Water Holds Me (Bull City Press, 2020).
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Sharmini Aphrodite reviews Belly Up by Rita Bullwinkel (USA: A Strange Object, 2018).
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