“The Light, Summer 2019", “En Route to the Himalayas,” and “The Cinema of Lovemaking”
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Singaporean writers, artists, and thinkers choose their favorite read of the year.
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“Here Comes the Sun” by Yeo Wei Wei.
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Diane Josefowicz reviews Judith Huang’s Sofia and the Utopia Machine (Singapore: Epigram Books, 2018).
Call on Singaporean Writers to Condemn Seelan Palay’s Wrongful Imprisonment
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"The World Has Changed" and "The Man Tearing at Flowers"
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Quash the Wrongful Conviction and Sentence of Artist-activist Seelan Palay.
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Gwee Li Sui, Singaporean poet, graphic artist, and literary critic, looks into the crystal ball to see the future of Singapore literature.
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Caroline Chang reviews Sugarbread by Balli Kaur Jaswal (Singapore: Epigram Books, 2015).
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Singaporean poet and photographer Marc Nair on the spomenik, free-standing commemorative structure found across the Balkans.
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Artist and writer Tania De Rozario responds with a work of art to a poem by Cyril Wong.
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Kendrick Loo reviews Rita Banerjee’s Echo in Four Beats (USA: Finishing Line Press, 2018).
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Ovidia Yu reviews Uprooted by Naomi Novik (USA: Del Rey Books, 2015).
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Richard Angus Whitehead reviews Caterwaul by Jennifer Anne Champion (Singapore: Math Paper Press, 2016).
Diane Josefowicz reviews Pulp: A Short Biography of the Banished Book by Shubigi Rao (Singapore: Rock Paper Fire, 2016).
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A Note by Andrew Howdle on Charles Causley’s Singapore poem “Bugis Street.”
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Goh Poh Seng's story about his meeting with Irish poet Patrick Kavanagh in 1950s Dublin.
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Tse Hao Guang reviews Celina Su's Landia (USA: Belladonna, 2018).
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We are very pleased to announce the results of the 4th Singapore Poetry Contest. Enjoy the poems.
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Kendrick Loo reviews Jericho Brown’s The New Testament (USA: Copper Canyon Press, 2014).
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