Samantha Neugebauer reviews Yangsze Choo’s The Night Tiger (USA: Flatiron Books, 2019).
“Suicide Friend,” “Breaking Up with You,” “The Man Who Loved to Plant Water Spinach,” and “Alpha Ursae Minoris”
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Eric Norris reviews The Other Merlion And Friends by Gwee Li Sui (Singapore: Landmark Books, 2015).
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“Call Centre,” a story by Nidhi Arora.
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Manish Melwani on the Fiction of S. Rajaratnam.
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Binghao Wong responds to Loo Zihan’s With/Out, a re-enactment of Paddy Chew's 1999 show about his HIV+ status.
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“Ants,” “Condensation,” “Grounded,” and “Conflict resolution”
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“Cardiff”
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“The Light, Summer 2019", “En Route to the Himalayas,” and “The Cinema of Lovemaking”
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Singaporean writers, artists, and thinkers choose their favorite read of the year.
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“Here Comes the Sun” by Yeo Wei Wei.
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Diane Josefowicz reviews Judith Huang’s Sofia and the Utopia Machine (Singapore: Epigram Books, 2018).
Call on Singaporean Writers to Condemn Seelan Palay’s Wrongful Imprisonment
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"The World Has Changed" and "The Man Tearing at Flowers"
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Quash the Wrongful Conviction and Sentence of Artist-activist Seelan Palay.
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Gwee Li Sui, Singaporean poet, graphic artist, and literary critic, looks into the crystal ball to see the future of Singapore literature.
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Caroline Chang reviews Sugarbread by Balli Kaur Jaswal (Singapore: Epigram Books, 2015).
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Singaporean poet and photographer Marc Nair on the spomenik, free-standing commemorative structure found across the Balkans.
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Artist and writer Tania De Rozario responds with a work of art to a poem by Cyril Wong.
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Kendrick Loo reviews Rita Banerjee’s Echo in Four Beats (USA: Finishing Line Press, 2018).
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