INTRODUCTION to Ulirát: Best Contemporary Stories in Translation from the Philippines (USA: Gaudy Boy, forthcoming in March 2021).
Read MorePrasanthi Ram reviews This is One Way to Dance by Sejal Shah (USA: The University of Georgia Press, 2020).
Read MoreThree Poems by Marylyn Tan.
Read MoreAimee Liu reviews Anittha Thanabalan’s The Lights That Find Us (Singapore: Epigram Books, 2019).
Read More“Three Ghosts” by Shou Jie Eng.
Read MorePoet JinJin Xu on writing in a language of betrayal, subversion, and recovery.
Read MoreA poem by Niccolo Rocamora Vitug.
Read MoreSebastian Taylor reviews Eating Chilli Crab in the Anthropocene, edited by Matthew Schneider-Mayerson (Singapore: Ethos Books, 2020).
Read MoreS.R. Graham reviews How the Man in Green Saved Pahang, and Possibly the World by Joshua Kam (Epigram Books, 2020).
Read MoreA story by Sharmini Aphrodite.
Read MorePoet Zining Mok speaks about interrogating colonial archives and narratives in her debut collection The Orchid Folios.
Read MoreIlyas Lukman reviews The Need by Helen Phillips (USA: Simon and Schuster, 2019).
Read MoreJackie Wang on sunbelt penology, the debt economy, and prison technology.
Read MoreSharmini Aphrodite reviews The Beadworkers by Beth Piatote (USA: Counterpoint, 2019).
Read MoreJack Xi reviews Craig Santos Perez’s Habitat Threshold (USA: Omnidawn Publishing, 2020).
Read MoreAimee Liu on the saga of Alfred Bird and the Singapore War Crimes Trials.
Read MoreNaveen Kaur reviews Trisha Low’s Socialist Realism (USA: Coffee House Press, 2019).
Read MoreJudy Luo on how the prison sits at the nexus of white supremacy, patriarchy, and capitalism.
Read MoreStephanie Chan reviews Carmen Maria Machado’s In the Dream House (USA: Graywolf Press, 2019).
Read MoreKendrick Loo reviews Tariq Luthun’s How The Water Holds Me (Bull City Press, 2020).
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