Lydia Wei reviews Dear Bear, by Ae Hee Lee (UK: Platypus Press, 2021), and discovers a world characterized simultaneously by blossom and apocalypse.
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For National Hispanic Heritage Month in the US, Ng Yi-Sheng offers a delectable selection of titles from different nations, time periods, and genres.
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Branden Zavaleta explains the method in the madness of the anime film "Paprika.”
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Eschewing the merely personal in his poetry, Shangyang Fang explores new possibilities in Burying the Mountain, as Kendrick Loo delineates in his review.
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In Esther Yi’s novel Y/N, the author blurs the line between fiction and fanfiction, as Elise J. Choi explains in her review.
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Ng Yi-Sheng honors Good Elders and Younger Brothers in this roll-call of books about spirits and spirituality in the modern world.
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Does terrorism derive from ‘tierra’, Spanish for land, or ‘err’, Greek for incorrect, or is it close to ‘terremoto’, Spanish for earthquake? Jonathan Chan reviews Diaries of a Terrorist by Christopher Soto.
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On the menu this month: rojak! Ng Yi-Sheng reviews a collection of randomly themed prose fiction works that caught his interest.
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Bad gays, old gays, crocodile lesbians, the third sex—Ng Yi-Sheng reviews and reveals the diverse, complex, and multifaceted project that is queerness.
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How to solve a murder when you keep forgetting things? Sebastian Taylor reviews The Sleepless, a thrilling work of speculative fiction by Victor Manibo.
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If the sea is allowed to speak, what will it say to us? Genevieve Hartman finds out in reviewing Joanne Leow’s book of poems Seas Move Away.
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To be seen or not to be seen? Christy Ku unravels the tension underlying Chan Li Shan’s unconventional biography of the unconventional Singaporean artist Li Wen.
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For the month of May, Ng Yi-Sheng reviews five works of Southeast Asian speculative fiction that reflect, as he puts it, “the region’s historical fascination with heroes and horrors, plus our happy habit of borrowing from other cultures, whether they’re Indian epics or the tropes of the powers that colonised us.”
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For National Poetry Month, Ng Yi-Sheng rambles through his eclectic library for poetry from different times and places.
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“The Korean-American individual finds themselves mapped onto a kinship network, through which desires are passed down, misplaced, and only very rarely reconfigured,” in Yoon Choi’s Skinship (US: Vintage Books, 2022), reviewed by Aileen Liang.
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For Women’s History Month (March), Ng Yi-Sheng trains his focus on women readers. And men should read these books too.
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Why are so many powerful people such assholes? Kirsten Han reviews Corruptible: Who Gets Power and How It Changes Us by Brian Klaas for some answers from political science.
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In their review of Paul Tran’s All the Flowers Kneeling, Jack Xi shows that Tran’s project is “not to write about survival as purely triumphant or as an ending they have already reached but rather to reflect their real, ongoing journey.”
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In response to N. K. Jemisin’s question “How Long ‘til Black Future Month?” Ng Yi-Sheng reviews five vital works of Black/African speculative fiction.
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Vice-royal-ties by Julia Wong Kcomt, translated by Jennifer Shyue, works against the annihilation and dilution of human experience, as reviewer Niccolo Rocamora Vitug discovers.
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