Stewart Dorward reviews Meddling and Murder by Ovidia Yu (USA: Killer Reads/Harper Collins, 2017).
Read MoreCyril Wong reviews Louise Glück's Faithful and Virtuous Night (New York: Farrar, Straus and Giroux, 2014).
Read MoreEsteemed independent journalist Kirsten Han on making National Day truly our own.
Read MoreY.S. Pek explores the different pathways of reading Sonny Liew's Eisner-winning graphic novel The Art of Charlie Chan Hock Chye.
Read MoreInez Tan reviews Balli Kaur Jaswal’s Erotic Stories for Punjabi Widows (London: HarperCollinsPublishers, 2017).
Read MoreThe first Singapore Unbound Fellowship was presented to Nur Sabrina binte Dzulkifli in a special event in Singapore.
Read MoreAnnouncing the top three winners of the 3rd Singapore Poetry Contest. Three powerful poems about home.
Read More"Erratic as Thoughts: Goh Poh Seng’s Lines from Batu Ferringhi," an essay by Jee Leong Koh
Read More"The Leeds Poems of Arthur Yap," an essay by Andrew Howdle.
Read MoreSix more poems set in Leeds, UK, by the Singapore writer and painter Arthur Yap
Read MoreSix poems set in Leeds, UK, by the Singapore writer and painter Arthur Yap
Read MoreJee Leong Koh reviews Tan Pin Pin’s documentary In Time to Come (April 2017).
Read MoreNur Sabrina binte Dzulkifli is the recipient of the first Singapore Unbound Fellowship.
Read MoreRichard Angus Whitehead on "“this migrant soul enriches this earth”: Encounters with Migrant Bengali Poetry in Singapore.”
Read MoreFive poems by Eileen Chong from her latest collection, and an interview with the Australia-based poet.
Read MoreAndrea Yew reviews Viet Thanh Nguyen’s The Refugees (USA: Grove Press, 2017).
Read MoreKoh Jee Leong on Joshua Ip's poem "explaining a thousand cranes."
Read MoreWeihsin Gui on "Short Story Collections and Crowded Selves: Madeleine Thien’s Simple Recipes and Jeremy Tiang’s It Never Rains On National Day.”
Read MoreFrom the archive (June 19, 2014): an early interview with Kirsten Tan, writer and director of award-winning feature film "Pop Aye."
Read MoreCyril Wong reviews Marie Howe’s Magdalene (New York: W. W. Norton, 2017).
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